A Philosophy Startup Kit for Schoolkids
Microsoft Word version of this document
Deutsche Uebersetzung dieses Dokuments
Based on Texts of Plato
By Gareth B. Matthews
Introduction
I
have written the stories in this collection to introduce schoolchildren to the
fun and challenge of doing philosophy – not just learning about the lives of
famous philosophers, or even learning about their views, but actually doing philosophy for themselves. The
method I suggest for using these stories in the classroom is a modified form of
something called “the Community of Inquiry.” It is a method developed by
Matthew Lipman at the Institute for the Advancement of Philosophy for Children
at Montclair State University in Upper Montclair, New Jersey. Here’s how it can
work.
Suppose
a teacher wants to use the first story, “The Ring of Gyges,” in her class. I suggest making enough copies
of the story so that each student can have a copy to hold, to read, and to
study. The class session can begin by asking the children to read “The Ring of
Gyges” silently for themselves. After they have all had time to do that, the
teacher can ask them to read the story aloud. Depending on how many students
there are in the class, they might each read a paragraph, or even a single
sentence. Reading the story aloud, even after students have read the story
silently, helps the class find a common focus for discussion.
The next
step would be for the teacher to ask the children for comments or questions on
the story. “What do you think about the story?” “Is there something that
puzzles you about it?” “Does the story make you think of something you would
like to ask about, or comment on?” Each comment or question should be put on
the board with the name of the child who had made the comment or asked the
question written on the board after the comment or question. (Putting the
child’s name after the comment or question encourages the thought that, in a
philosophical discussion, we have some responsibility for what we say.)
After
the teacher gets a board full of comments and questions, she may want to stand
back and read them all out. She may want to ask whether some of the comments
and questions fit together with others. After this preliminary talk about what
is on the board, the next step is for the children themselves to select one of
the comments or questions for discussion.
Suppose one
says this: “I wonder what kind of person Gyges was before he found the magic
ring.” That comment, which I received from a student in Australia, is a very
good one to think about. If Gyges had been a really good person before he got
the ring, one might well expect him to use the ring as an aid in doing good
things, not bad things. If we assume, from the very start, that there aren’t
really any good people, only people who avoid doing bad things for fear that
they will be punished, then we won’t be surprised at what Gyges does, once he
has the ring. But if we don’t make that assumption, why shouldn’t we conclude
that having the ring is simply a good test of what kind of person one really
is.
Someone
else in the class might say this: “I wonder what I would do if I had the ring?”
If we are honest, we may admit that, if we had the ring, we would do some bad
things. But is there any way to rule out the possibility that even a bad person
might use the ring to, for example, give someone an unexpected present? I once
got this response from a student in Minnesota.
Another
student in that Minnesota class wanted to know exactly what is made invisible
by the ring. If one’s clothes are not made invisible, the ring will not be of
much use. But if everything one touches is made invisible, then one will not be
able to see the ground one is walking on; one might then fall into a hole, or
run into a stone.
After one
comment or question on the board has been discussed, it is well to move on to
another. In fact, it may be a good idea to discuss, even if only briefly,
everything on the board, so that no child feels left out. Sometimes, of course,
what we say about one comment or question will naturally lead to a response to
another comment or question.
After a
while it may be good to see if there is something about the story of the Ring
of Gyges that everybody can agree on. There may be several things. There may
also be some basic disagreement. If there is a disagreement, it may be good to
ask students on one side to see if they can win over to their position students
on the other side, and vice versa. Questions in philosophy are so basic that we
should not be surprised if there are lingering disagreements, even after
lengthy discussion. Still, the effort to reach some agreement is almost always
worthwhile.
After
a full discussion of the comments and questions on the board, it might be a
good idea to ask each child to write a paragraph on the Ring of Gyges, or
perhaps on some basic question that the story raises. In the case of this
story, students could be asked to respond to Adam’s assignment, or perhaps a
simplified version of it.
The
stories in this collection can be used successfully with children of very
different grade levels. The last story is the most difficult to follow. But
teachers and parents who want to discuss what it is to tell a lie with children
who find it difficult to follow should feel free to simplify the story for
their own purposes.
1. The Ring
of Gyges
Adam sat down at the table in his room to do his
homework. His teacher, Ms. Cohen had given her class a very hard homework
assignment. First they were supposed to read a story about a shepherd in
ancient Greece who had discovered a magic ring, a ring that made him invisible.
This was the story:
Gyges
was a shepherd in the service of the ruler of Lydia. One day there was a
violent thunderstorm, and an earthquake broke open the ground and created a
crater at the place where Gyges was tending his sheep. Seeing the big hole,
Gyges was filled with amazement and went down into it. And there, in addition
to many other wonders of which we are not told, he saw a hollow bronze horse.
There were window-like openings in it, and peeping in, he saw a corpse, which
seemed to be of more than human size, wearing nothing but a gold ring on its
finger. He took the ring and came out of the crater. He wore the ring at the
usual monthly meeting that reported to the king on the state of the flocks of
sheep. As he was sitting among the others, he happened to turn the setting of
the ring towards himself to the inside of his hand. When he did this, he became
invisible to those sitting near him, and they went on talking as if he had
gone. He wondered at this, and, fingering the ring, he turned the setting
outwards again and became visible. So he experimented with the ring to test
whether it indeed has this power – and it did. If he turned the setting inward,
he became invisible; if he turned it outward, he became visible again. When he
realized this, he at once arranged to become one of the messengers sent to
report to the king. And when he arrived there, he quickly became the queen’s
lover. With her help he attacked the king, killed him, and took over the
kingdom.
Adam liked the idea of having a
magic ring. He pretended he had one, too. He imagined himself putting on the
ring and turning the setting inward. He would be invisible! His parents
wouldn’t be able to see him. He could leave the house without their knowing it
and go into town to the game arcade without anyone knowing it. Just think of
the fun he could have!
Then Adam came back to reality. He
was going to have to have some homework to turn in tomorrow. So he might as
well get it over with. This was the assignment:
Assignment: Imagine that there are twin
girls in your class, Molly and Polly.
Imagine that they were basically good kids. Oh, they sometimes do
something that is a little naughty; but mostly they do good things. They brush
their teeth every morning. They help with the dishes. They make their beds without
having to be told. If they find a quarter on a lunch room table, they turn it
in to the principal’s office.
But suppose now that Molly gets the Ring of Gyges.
Would her behavior change right away? Wouldn’t she suddenly be very different
from Polly?? Would she do mean and naughty things that Polly would not do?
Would she trip other kids just for the fun of it? Would she steal money that
was lying on the teacher’s table? Give your answer and then say why you think
the way you do about this question.
What
should Adam write? What would you write? Why would you write that?
2. Perfect Happiness
“What happened in school
today, Tony?” asked Tony’s mother as she served him his helping of spaghetti
and meatballs. The Allen family was seated around the dinner table for their
evening meal.
“Actually,
there was something kind of cool,” replied Tony. “This new kid in the class, I
think his name is Roy, he cracked everybody up by something he said.”
“What did he say?” asked
Tony’s sister, Heather..
“Well, you see,” explained
Tony, “our teacher, Ms. Hernandez, was talking about this story in which some
kid said that she wanted to be totally happy. Ms. Hernandez asked us if we
could think of a time when we were perfectly happy.”
“That’s an interesting
question,” put in Tony’s father.
“Yeah, well, what this kid,
Roy, said was that if he had an insect
bite on his seat, you know, on his rear end, and it itched like crazy and he
could scratch it as hard as he wanted to, he would be perfectly happy.”
“That’s pretty gross,” said
Heather, making an ugly face.
“Yeah, it was pretty gross
all right,” Tony agreed, “but it cracked everybody up. Kids laughed so loud you
couldn’t hear Ms. Hernandez trying to get us to shut up.”
“That was a disgusting thing
to say,” said Tony’s mother disapprovingly.
“Yeah,”
agreed Heather, “it was a yucky thing to say, but, you know, it’s right! If
scratching a very itchy insect bite gives you so much pleasure that , at that
moment, you don’t want anything else, then you’re perfectly happy.”
“I
wouldn’t call that perfect happiness,” protested Tony.
“Why
not?” insisted Heather; “perfect happiness is just enjoying something, it
doesn’t matter what it is – scratching an insect bite, stuffing yourself with
chocolate cake, whatever – enjoying it so much that you don’t at that time want
anything else. Do you have some other explanation of what perfect happiness
is?”
Tony
decided to change the subject. He wished he hadn’t told his family about what
Roy had said in school. He didn’t think Heather was right about what total
happiness is, but he didn’t know how to prove she was wrong. She was always
winning arguments. He hated that.
Still,
Tony was puzzled about what happiness is, and especially about what perfect
happiness is. Is it just enjoying something so much that the thought of
everything else is blanked out? Somehow that didn’t seem right to him. But what
could he say about total happiness that he could defend against Heather?
3. Parts of Yourself
Anna: “Dad, do
you think that you’ve got parts?”
Father: “Well, of
course, Anna. I have two legs, two arms, a body and a head. Those are all parts
of me.” Anna’s father was just settling into his recliner in front to the TV to
watch a football game.
Anna: “No, that’s
not what I mean. Like when we were just eating Thanksgiving dinner earlier
today, I had already eaten so much that I was about to pop. But Mom had made
brownies to go with the ice cream for dessert and she said that, since it was
Thanksgiving and all, I could eat as many as brownies I wanted. So I ate two of
them. Then, you could say, part of me
wanted another brownie, but part of me
said I had better stop, so I wouldn’t get sick. Do you think I really have
different parts like that, one that wants to eat more and more brownies, and
one that is sensible and says that I had better stop?”
Father: “Well,
why not say that? Why not say you have a greedy part of you that always wants
to eat more brownies, and a reasonable part that tells you when to stop?”
Anna: “That’s
what my friend, Tony, says. He says you have different parts, and one part
wants to do one thing and the other wants to do something else instead. We were
having an argument about that at lunch yesterday in the school cafeteria. I
said that saying things like that was, you know, just a way of talking. We
don’t really have any parts like that,
I said. It’s just that we have different wants, you know, different desires.
And sometimes we realize that we can’t satisfy all our desires. We can’t, for
example, satisfy the desire to eat more and more brownies and also
satisfy the desire not to get sick. So the desire to have another brownie
fights with the desire not to get sick ”
Father: “That
sounds pretty sensible to me.”
Anna: “But get
this! What Tony said was that desires don’t just float around in your mind,
like leaves on a pond. You don’t have a desire unless it’s you that wants something. But it can’t be both you that
wants another brownie and also you that wants to stop eating them., to avoid
getting sick.”
Father: “Why
not?”
Anna: “Well, Tony
said that that would be like saying that you are sitting still and you are also
moving. Part of you could be moving,
say, your hand, and part sitting still. But you, as a whole, can’t be doing
both. Do you want to know what I said to that?”
Father: “Sure,
tell me, Anna.”
Anna: “I said,
and I’m really proud of myself for thinking of this, I said you can be sitting
in the school bus and all of you be
sitting still in your seat, but yet all of you could be moving because the school bus is moving.”
Father: “That’s
pretty clever, I have to admit.”
Anna: “Yeah, but
Tony had an answer to that, too. He’s so smart. He said that you can’t, all of
you, be both moving and sitting still with respect to the same thing. So you
can’t, all of you, be both moving and also sitting still with respect to the
ground, say. Similarly, with respect to the last brownie sitting on the plate
in front of you, you can’t, all of you, both want it and not want it. But part
of you can want it and another part not want it. Do you think he’s right about that?”
Father: “I don’t
know, Anna. But I want to watch the football game now.”
Anna: “Oh Dad, I
wish you’d help me. . . I guess I’ll just have to figure this out for myself.
Do I really have different parts like that or not? That’s what I want to know.”
4. Friendship
Alissa: “And I
thought she was my friend.”
Joy: “Do you mean
Norma?”
Alissa: “Yes, I
mean Norma. Do you know what she did?”
Joy: “Well, I’m
just guessing. Did it have something to do with Jonathan?”
Alissa: “You
guessed it. She went to the movies with my boyfriend, Jonathan,
without even telling me.”
Joy: “And so she
is not your friend anymore?”
Alissa: “Of
course not. How could she be?”
Joy: “What do you
think a friend is, anyway?”
Alissa: “Well, I
guess it’s someone who likes you and . . . “
Joy: “And what
else?”
Alissa: “And
likes to hang out with you.”
Joy: “And don’t
you think Norma still likes you and likes to hang out with you.”
Alissa: “She
won’t get a chance to hang out with me. anymore. Those days are over. I’m
through with her.”
Joy: “Yeah, but
you didn’t answer my question. You said Joy is not your friend. And you said
that a friend is someone who likes you and likes to hang out with you. That
means that you think Norma either doesn’t like you anymore or else doesn’t like
hanging out with you anymore. But I bet that’s wrong. I bet she likes you just
as much as she ever did. And I bet she would still like to hang out with you.”
Alissa: “I said she
won’t get a chance to hang out with me anymore, not after what she did.”
Joy: “But you’re
still missing the point. You said Norma was not your friend anymore. But you
haven’t said that she doesn’t like you anymore, or be glad to hang out with
you, if you gave her a chance.”
Alissa: “I see
what you mean. Well then, there must be something more to friendship than I
said. I think maybe caring about you is part of being your friend, caring about
you for your own sake. Norma can’t have cared about me for my own sake if she
was willing to go out with my boyfriend without even mentioning to me that she
was gong to do it.”
Joy: “Well, you’d
better let her tell her side of the story. Maybe you’re reading too much into
this movie thing. Maybe she had some good reason to go with Jonathan to the
movies without telling you. By the way, are you still her friend?”
Alissa: “Are you
crazy? Of course not. How can I be her friend, when she treats me like that?”
Joy: “Just
asking.’
Alissa: “In fact,
being friends is a two-way street. I can’t be her friend unless she is mine.
And she can’t be mine unless I am hers.”
Joy: “I don’t
think that follows from what you said a friend is. I could like you, and like
hanging out with you, and even care about you for your own sake, even though
you might not like me at all. As long as you didn’t show that you don’t like
me, or show that you don’t like hanging out with me or care about me for my own
sake, I could be your friend even though you are not mine.”
Alissa: “Hey,
wait a minute. That can’t be right. As I said, friendship has to be a two-way
street.”
Joy: “What about
being a friend of a dog or cat? Can you be a friend of your dog, Ruggles?”
Alissa: “Of
course, silly. But then Ruggles likes me, too. He even likes to hang out with
me. In fact, Ruggles cares about me for my own sake. So he’s a friend, true
blue.”
Joy: “But suppose
Ruggles was constantly farting, so that you couldn’t bear to be around him. I
suppose you might still like him. But you wouldn’t like hanging out with him.
That’s for sure. So, even if he were your friend, you wouldn’t be his friend –
at least if friendship is what you said it is. So friendship doesn’t have to be
a two-way street.”
Alissa: “Oh Joy,
I don’t know what to say about all that. Maybe it’s just that I’m too upset to
talk about what friendship is. But I do know that the friendship between me and
Norma is over. It’s a closed book.”
Joy: “Well, when
you get over being upset, maybe we can talk about this again. I’d like to know
for sure what a friend is, and whether you can be somebody’s friend without
that person’s being your friend.”
5. Telling a Lie
Laura: “Hi, Beth, did your big brother get back from
college last night?”
Beth: “Yeah, he turned up just after midnight and woke
everyone up. I had forgotten how much noisier this house is when Brad is
around. Wait! I think I can hear him getting up now. He’ll be down in a
minute.”
Brad, stumbling down the stairs in his bathrobe, “Is
there some coffee made? I need to wake up.”
Beth: “Yeah, Mom made a pot a while ago. But I think
there is still some left.”
Brad, pouring himself some coffee and noticing Laura:
“Hey, Laura, what’s cooking with you? Still trying to get the squeaks out of
your clarinet, I bet.”
Laura, frostily: “I’ve given up the clarinet.”
Brad: “Well, everybody is probably relieved at that.
Let’s face it. Some of us are just not musical.”
Laura, becoming furious at Brad’s bad manners, “In fact,
I lied. I haven’t given up on the clarinet at all. You may be pleased to learn
that I’m now the first-chair clarinet in the school band.”
Brad: “Well, practice does pay off, even for the
ungifted. But, speaking of lying, you must know what it is to tell a lie, since
you said you just told one. Maybe you could explain to me what it is to tell a
lie.”
Beth: “Brad, will you please leave Laura alone. You
aren’t home a day before you start badgering my best friend.”
Brad: “Actually it’s quite interesting what makes
something a lie. We talked about it in my college philosophy class. I’m sure
Laura would like to give it a go.”
Laura, rising to the challenge: “A lie is just a
falsehood, Mr. College Boy. What I first told you was a falsehood.”
Brad: “Good start, Laura. To tell a lie is to say
something false. You’re right about that. But there is more for telling a lie
than just saying something false. Suppose I really think that you have turned
in your clarinet. I report to Beth, what I believe to be true, that you’ve
given up your clarinet. Would I be telling a lie?
Laura, hesitantly: “No, I guess not. It isn’t a lie, I
guess, unless you mean to be saying something false.”
Brad: “Atta girl, Laura. Now you’re cookin’. For what you
say to be a lie it needs not only to be false, but you have to believe it is
false. Is that enough?”
Laura: “Well, why not, Mr. Philosopher?”
Brad: “Think of this. You could be trying out for a play.
The director could say, “Laura, please say this line with an Australian accent;
‘I have given up the clarinet.’ You say the line. It’s false. You believe it is
false. But have you told a lie.”
Laura: “No, of course not.”
Brad: “Why not?”
Laura: “Well, I wouldn’t be trying to convince the play
director, or anyone else, that I had given up the clarinet. I was only trying
to convince the director that I should get a part in the play.”
Brad: “Super. Laura, you will do well in life. Take it
from me. You can think things through. To tell a lie you must say something of
which three things are true. First, what you say must be false. Second, you
must believe it is false. And third, by saying what you have said you must be
trying to get someone to believe what is really false.”
Laura: “Well, Professor Brad, I’m glad I have satisfied
you.”
Brad: “Okay, Laura, but don’t forget what you have
figured out today. There may be a quiz tomorrow.”
As Laura and Beth leave the house, Beth apologizes for
having such an obnoxious brother. “I’m sorry Brad is so beastly to you, Laura.
I’ll try not to let him sound off like that again.”
Laura: “I’d just like to get back at him. I’d just like
to show him that he isn’t as all-knowing as he thinks he is.”
Beth: “Good luck. I’ve tried to do that for years.”
Laura: “But is it really right, what he said? Do you have
to be trying to deceive someone by saying something false to be telling a lie?
Let’s think”
Beth: “He’s probably right. He usually is.”
Laura: “But Beth, think of this. Suppose you and I get a
job at Hardy’s Restaurant. Suppose business is very slow one morning and Mr.
Hardy decides to leave us alone in the restaurant for a few minutes while he
goes to the bank. Since there are no customers at the moment he tells you to
put the dishes in the dishwasher while he is gone and me to wipe off all the
tables and the countertop. But he warns me to be careful of the vase on the
countertop, since it belonged to his grandmother. He says he’ll fire me if I
damage that vase. As I am wiping the counter top, sure enough, I knock the vase
off and it shatters into a thousand pieces.
When Mr. Hardy gets back, he is furious. “How did that
happen?” he asks.
“I’m very,
very sorry,” I say, “a customer knocked it off onto the floor.”
“It was just a kid,” I say; “I didn’t know him. He came
in for a candy bar. After he knocked over the vase, he ran away.”
“Is that right, Beth?” he asks you, and You go along with
my story.
We both lied. Mr. Hardy is totally convinced that we
lied. My story was not very convincing, especially since Mr. Hardy was gone
such a short time. But was I trying to actually convince him that what I said
was true? No. My only hope was that Mr. Hardy would not fire me unless he had
an eye-witness to say that I had broken the vase.”
Beth: “I guess that’s pretty plausible.”
Laura, triumphantly: “Then your smarty-pants brother is
wrong. I can tell a lie without having the intention to deceive Mr. Hardy. So
can you. I simply hope that he will not fire me if I don’t confess that I broke
his vase and he doesn’t have some other direct evidence, such as a statement
from you that you saw me do it. There are tons of cases like that. Nobody
believes the liar. The liar doesn’t even expect to be believed. But without a
confession or some other very strong evidence, the liar hopes not to be
punished.”
Beth: “That’s pretty good, Laura. You certainly have a
good way to put down my impossible brother. But, if his three conditions are
not right, what is it to tell a lie?”
Laura: “I don’t have a clue. I think we just
instinctively understand what it is to tell a lie.”
Beth: “That’s not good enough, Laura. If we can’t say
what has to be true of a statement to make it a lie, we don’t really know what
it is to tell a lie. And that seems pretty ridiculous.”
Remarks for Teachers and Parents
In adding these comments on the four stories in this
Philosophy Startup Kit I do not meant to suggest how the discussion of them
ought to go, let alone, what conclusion you and your kids ought to reach. The
discussions you have with your kids may turn up interesting ideas and
suggestions that are quite different from anything I say here. Philosophy is a
wonderfully rich territory. I cannot possibly anticipate all, or even most, of
the interesting things you may discover when you discuss one or more of these
topics with your children.
Even more basically, the point of a genuinely
philosophical discussion cannot be to reach some pre-ordained conclusion. The
point is to see what ideas the participants in that discussion can come up with
and what conclusion, or conclusions, they find most compelling and why.
It is important, however, to try to draw conclusions. It
may be that all participants will be able to agree on an overall conclusion, or
on some more limited conclusion, or conclusions. Conclusions in philosophy are
provisional. We should always be open to re-considering a conclusion we reached
last time, even though we may come to the same conclusion again.
1.
The Ring of
Gyges
The story of the Ring of Gyges is to be found in Plato’s Republic, Book 2, at 359C-360C. At this
point in the dialogue Glaucon, the conversation partner of Socrates, is
offering a defense of psychological
egoism. Psychological egoism is the view that we always act in ways that we
at least think will further our interests and gratify our desires.
According
to Glaucon, to be a moral person stands halfway between the best thing of all,
namely, to be able to go after what we want without restriction, and the worst
thing of all, to suffer the unrestrained attempts of others to satisfy their
own desires. Morality, on this view, requires that we give up some of our
freedom so that we can gain the restricted, but real, freedom to pursue at
least some of those things we want. Morality is thus a sort of social compact,
or social contract.
Psychological egoism, as a perfectly general thesis about
human motivation, seems to be refuted by evidence that even toddlers are able
to act altruistically, out of empathy for others. Nevertheless, the idea that,
“way down deep,” we always pursue what we consider to be our own interest seems
overwhelmingly plausible to many people. This idea needs to be examined and
criticized. One good way to examine and criticize it is to discuss the Ring of
Gyges.
2.
Perfect
Happiness
This story was
inspired by a passage in Plato’s dialogue, Gorgias,
at 494C. On first thought, the idea that we would be perfectly happy if, at
that moment, we were enjoying something so much that we did not then want
anything else, is highly plausible. It
is an idea that motivates some people to get high on drugs, or to get drunk on
alcohol.
Yet the idea that there can be perfect happiness at a moment
in time ignores questions about what the longer-term consequences of that
momentary bliss might be. In a discussion of this story with a fifth-grade
class in Osaka, Japan, one student said this: “Enjoying scratching an insect
bite so much that, at the moment, you don’t want to do anything else, is only
one petal of the flower of happiness.” I would not myself have been able to put
the point as poetically as this Japanese child did. But I think the is right.
It would be good to have it defended and developed further.
3. Parts of Yourself
In Book 4 of the dialogue, The Republic, Plato has Socrates divide the self into three parts:
the rational part, the spirited part (what moves us to perform brave actions),
and the appetitive part. Freud divides the self into ego, super-ego, and id.
Other philosophers and psychologists have proposed other divisions.
Dividing the self in one of these ways does seem to help
us understand what is going on when we both want to have another drink and also
want not to have another drink
(perhaps because of being the “designated driver”). But the promised help may
be only illusory. After all, we might also want to do two different bad things,
even when we realize that we cannot do both. Or we may want to do two different
good things, when we realize that we cannot do them both. Thus no simple
division of the self into two or three parts can possibly explain all cases of
conflict in desire we may come up with.
There is another important issue here. When we rely too
heavily on the idea that “part of me wanted to do that and part of me wanted to
do something else,” we face the possibility that nobody is “in charge,” that
is, the risk of supposing that no one is really responsible for what one does.
After all, it was only part of one that wanted to do it.
4.
Friendship
This story is inspired by Plato’s dialogue, Lysis, which is about trying to
understand what it is to be a friend. The Greek word for ‘friend’ is philos. It comes from the Greek verb for
‘to love.’ Thus philanthropy is the love of anthropoi,
that is, the loving care of other human beings. And thus friends, philoi, should be ‘lovers,’ or at least
“likers,” that is, people who like each other.
The question then becomes urgent, even more obviously in
Greek than in English, whether there can be non-reciprocal friendship. Can A be
a friend of B without B being a friend of A? In Plato’s dialogue Socrates
points out that love is often not reciprocated. So, it seems, A can be a friend
of B without B being a friend of A. But is this right?
One question for Socrates is whether, if friendship
really has to be reciprocal, what there is about the nature of friendship that
forces reciprocity. In my story, Joy pushes this point. But perhaps we should
drop the reciprocity requirement anyway, especially if we are willing to allow
that that one can be a friend of animals, or even a friend of nature, or a
friend of the environment.
Friendship is a good topic to philosophize about with
children. They are often occupied, if not preoccupied, with making friends, and
with having their friendships threatened, or dissolved. Their insights about
what preoccupies them may be enlightening to a parent or teacher, just as an
adult’s perspective on friendship may be helpful to a child.
5. Telling a Lie
This last story is probably the most difficult selection
of the five. Understanding it requires that we keep in mind the three distinct
conditions that are standardly thought to be both necessary and sufficient for
telling a lie. A contemporary philosopher might express them in this schematic
formula:
(L) In saying to A that p B tells a
lie if, and only if,
(i) it is false that p;
(ii) B thinks it is false that p; and
(iii) in saying to A that p B intends
to deceive B about whether p.
The story about Laura,
Beth, and Brad makes trouble for condition (iii). According to the story, and I
think this is correct, one can actually tell a lie without having an intention
to deceive the person one is talking to. But the other two conditions can be
challenged as well. For example, some people think that I tell a lie if,
thinking that Beth is in the next room, I say she is not in the next room –
even though, in fact, she is in the next room. That doesn’t seem right to me,
but it may seem right to you, or to some of your students.
When we discuss the question of what it is to tell a lie,
it is always good to have concrete examples before us. Otherwise, we may easily
loose track of what position we are taking or what position we are criticizing.
This selection is not based on any discussion of lying in
Plato. In fact, honesty does not even count, for Plato, as one of the cardinal
virtues, nor does lying count, just by itself, as a vice. But most of the early
dialogues of Plato are taken up with questions about how to understand various
virtues and vices. Since most of us think, I believe correctly, that dishonesty
is a vice, this story is still Socratic in spirit.
Remarkably,
almost all the early dialogues of Plato end in perplexity. The dialogue, Laches, for example, is devoted to
saying what it is to be brave. Yet, after a long and quite fascinating
discussion, that dialogue, too, ends in perplexity.
One overarching question that these dialogues of Plato
pose is this: how can we identify cases of bravery, or cases of cowardice,
truth-telling, or lying, if we cannot explain exactly what is both necessary
and sufficient for something to count as an act of bravery, a case of
cowardice, truth-telling, or lying. In some of his “middle” dialogues Plato has
Socrates suggest that we are somehow born with a latent knowledge of these
virtues and vices, a knowledge that we have “forgotten” and need to recover. On
this view our philosophical inquiry is an attempt to recover through
“recollection” what we know already from the soul’s previous experience.
A “stripped-down version” of Plato’s Theory of Learning
as Recollection might say that we have access to some innate conception of, for
example, what it is to tell a lie. We can perhaps use that innate knowledge to
identify cases of lying, even though we cannot specify necessary and sufficient
conditions for what it is to tell a lie. Our situation may be like that of
going to the airport to meet a friend one has not seen in many years. One can
no longer describe what the old friend will look like, any more than one can
specify fully necessary and sufficient conditions for what it is to tell a lie.
But one may be able to recognize the old friend, just as one can identify the
case of lying, even without a satisfactory “definition.” Still, it would be
more satisfactory if one could, through philosophical discussion, come up with
a satisfactory definition of lying, or bravery, or friendship.